sábado, 29 de agosto de 2026

TODAS LAS PALABRAS PROVIENEN DEL DESEO

Hoy les traigo un fragmento de mi reciente actuación en el Palacio de Quintanar de Segovia: LA PALABRA EXPANDIDA, evento comisariado por Margarita Aizpuru. A disfrutar, habitantes.

viernes, 28 de agosto de 2026

LUNA LLENA / FULL MOON

Full moon glowing in the night sky framed by dark tree branches and foliage.
Foto/Photo: Max Nitrofoska
Click para ampliar / Click to enlarge

jueves, 27 de agosto de 2026

MIMISME / MYSELF

 Un autorretrato en blanco y negro de un hombre de mediana edad con expresión seria e intensa mirando directamente a la cámara. Lleva una camiseta de tirantes negra y el fondo es de color blanco brillante. La iluminación resalta las texturas de su rostro y cabello, creando un contraste dramático.
Foto/Photo: Mimisme / Myself
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miércoles, 26 de agosto de 2026

CONTRATADO

Viñeta en todo de humor sobre las empresas de reparto a domicilio.
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martes, 25 de agosto de 2026

GRAFFITI-MAKING MACHINES (I)

 Illustration of a complex futuristic graffiti-making machine, the BARAKA-3000, made of rust, metallic pipes, vintage monitors, and green vines set against a decayed urban environment.
Image: Max Nitrofoska
Click para ampliar

MODEL BARAKA-3000

It was designed to fill dead walls with phrases no one dared to say. It didn't need paint: it used debris, rust, cable residue, fragments of old billboards. The BARAKA-3000 left no signature. It was its way of saying that art has no owner, only impulse. Occasionally, it managed to slip through the cracks of sealed districts, leaving a misshapen heart traced upon the dome of some tower. It made mistakes. It repeated itself. It spat out nonsense letters. But when the sunlight hit it sideways, the whole city seemed written by its hand.

©Nitrofoska

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MÁQUINAS PARA CREAR GRAFITIS (I)

MODELO BARAKA-3000

Fue diseñada para llenar muros muertos con frases que nadie se atrevía a decir. No necesitaba pintura: usaba residuos, óxido, saliva de cable, trozos de anuncios antiguos. La BARAKA-3000 no firmaba. Era su forma de decir que el arte no tiene dueño, es impulso. A veces lograba colarse por las rendijas de los barrios sellados y dejaba un corazón mal trazado en la cúpula de alguna torre. Cometía fallos. Se repetía. Escupía letras sin sentido. Pero cuando el sol le daba de lado, toda la ciudad parecía escrita por ella. 

©Nitrofoska

Imagen: Max Nitrofoska
Click para ampliar

lunes, 24 de agosto de 2026

ATARDECER / SUNSET

 Silhouetted fisherman rowing a small boat on a calm lake at sunset under a dramatic orange sky with crisscrossing contrails and vivid water reflections.
Foto/Photo: Tino Rovira
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domingo, 23 de agosto de 2026

DÍA DE PLAYA / BEACH DAY

NO PERROS NO BICIS NO NADAR

Black and white photograph of a young girl standing on a sandy path next to a bicycle and a dog on a leash, in front of a white sign that reads «NO DOGS, NO BICYCLES, NO SWIMMING».
Foto/Photo: Desconocidx / Unknown
Click para ampliar / Click to enlarge

sábado, 22 de agosto de 2026

¡HAZ ALGO!: DE LIBRO A FANZINE PUNK


➡️Puedes comprar ¡Haz algo! en este ENLACE

Portada del libro del autor Max Nitrofoska, ¡Haz algo! La primera potencia del mundo eres tú. Con textos performáticos y fotografías del autor.

viernes, 21 de agosto de 2026

UNIDAD 14 / UNIT 14

Rostro androide blanco de rasgos humanoides con ojos claros y cables expuestos en el cuello.
Imagen/Image: Max Nitrofoska
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jueves, 20 de agosto de 2026

AMOR SALVAJE / WILD LOVE

A romantic photo shows a man and woman in a deep, intimate kiss while standing in front of a waterfall. They are naked and embracing, and their private areas are obscured by a red heart symbol. They are standing barefoot on a rocky bank next to water. The background is a large rock face. The image has a blueish tint and a vintage,
Foto/Photo: Ivan Troyanovsky
Click para ampliar / Click to enlarge

miércoles, 19 de agosto de 2026

EXPERIENCIAS DE EDICIÓN



➡️Puedes comprar ¡Haz algo! en este ENLACE

Portada del libro del autor Max Nitrofoska, ¡Haz algo! La primera potencia del mundo eres tú. Con textos performáticos y fotografías del autor.

martes, 18 de agosto de 2026

SUCESOS HUMANOIDES / HUMANOID EVENTS #57

I just missed the train of a lifetime... again. 

Imagen con el texto: Acabo de perder el tren que pasa una sola vez en la vida, otra vez. Sucesos_humanoides_#57.
Click para ampliar

lunes, 17 de agosto de 2026

UNIDAD 11 / UNIT 11

Distressed portrait of a futuristic android featuring visible mechanical head components, wires, and a metallic visor behind a scratched glass texture.
Imagen/Image: Max Nitrofoska
Click para ampliar / Click to enlarge

domingo, 16 de agosto de 2026

THE STANDARD GOD

Hello, dwellers. Today I bring you the final story from my book RADICAL INDEFINIDO. Actually, it’s not even a story; it’s a closing note to the book, a brief reflection. I also bring you the magnificent illustration created by the advanced organism Martín Sampedro for this tale.

Enjoy this summer Sunday.

Illustration by Martín Sampedro for the story The Standard God, by Max Nitrofoska, showing a colossal metallic entity surrounded by humanoid figures in the rain.
Image: Martín Sampedro
Click to enlarge

THE STANDARD GOD

It was by chance. I didn't want to reach Andlösgråt, I didn't want to see it, to be certain that it existed. But I saw it. And ever since, everything in my circuits has changed. Information takes time to traverse the bioneurons and reach its destination, the ethical ions continuously churn, exuding a nauseating vapor that prevents me from concentrating, from thinking, from performing the simplest activity with the slightest precision or joy.

Yes, it was by chance. My interplanetary ship was traversing Alpha Centauri in search of the mythical ALF (Askatasuna Libertaris Felizidanka) when a loud noise in the side thrusters alerted me, forcing me to reduce speed. I soon verified that something serious was happening, something I couldn't repair on the fly. I threw myself over the quantum maps looking for some zero-gravity oasis that would allow me to land, and it was then, in that uncertain and confusing moment, when I read «Andlösgråt». I had never heard of that planetoide before, but the harsh, insistent hum of the thruster left me no room to inquire about my new destination. I set the coordinates on the sidereal quadrant and engaged emergency navigation. A slow, uniform flight cadence, interrupted only by the hoarse blasts of the broken thruster, accompanied my descent.

My old Thompson Space Pilgrim interplanetary ship landed smoothly, without incident despite the breakdown weighing me down. Upon stepping out of the cabin, right before my ocular circuits, I saw an enormous, colossal metal creature. It was a Standard God of forged metal. A God traversing what looked like a secondary road on the planetoid Andlösgråt. Thousands of humanoid creatures, connected to the God through steel cables and tubes, followed it in silence under the rain. Each and every humanoid marched illuminated by a flame rising from their heads, like obscure saints receiving a revelation, or abyssal miners in search of the ultimate truth. The massive Standard God had a sad face, deeply sad, perhaps due to the lack of independence and self-esteem displayed by its followers. It didn't utter a word, didn't tell its parishioners what was right or wrong; it merely limited itself, like any self-respecting God, to remaining silent—observing, studying, learning, to eventually enhance its contribution to a better Universe.

Yet the humanoid creatures refused to let go. They begged for instructions, norms, rules, manuals, recipes, training, guidance, order, analysis, imagination, precepts, catastrophes, and celebrations too—though not overly loud, just modest enough not to dislodge the framed pictures in the hallway.

The rain would not stop. At the base of my old ship, a wide puddle began to form, iridescent with the fuel dripping from the accumulator. The warm, relentless tears welling from the Standard God merged with the rain. That was how the God managed to disguise its disappointment and grief over Humanity. Rain, rain on the face.

Because humanoids do not get wet. Some even carry umbrella devices. Others acquire a boat to navigate through the weeping, both their own and others'. Navigators of the absurd, of the cosmic mirage.

Suddenly, amid the deluge, I heard a song. A song I wrote light-years ago in the place where I was born, in Humanoid City. Where my circuits were assembled.

Five hundred and twelve days of endless rain,

walking among the drops,

mud clinging to my feet,

waiting for the flood

you promised me the other day.

Umbrellas unfold,

heads tightly covered,

they almost poke my eye out,

I still have one left to watch

a deaf, one-eyed old man vomit,

he looks a damn lot like me.

Five hundred and twelve days of endless rain

and that's how it goes,

that's how it goes.

After the song, the Standard God of forged metal looked in my direction and sighed. I believe it also stuck its tongue out at me.

© Max Nitrofoska

You can buy RADICAL INDEFINIDO at this LINK

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La primera potencia del mundo eres tú
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